Textile Choreography.
The exhibition identity and social campaign for Textile Choreography, a solo show of fibre art by Cris Martins at Kutubna Cultural Center.
01The brief
One artist, three collections.
Textile Choreography was a solo show by Cris Martins, a Brazilian artist who works with natural fibres: twine, wood, jute and ramie. It brought together her sculptural Tubes collection, the softer Fiq collection, and the first showing of Reimagining Al Sadu, her reading of the region’s weaving heritage.
The work
Fibre pieces built on curves, twists, repetition and rhythm, drawing on African traditions and Arab craft.
The system
It follows the Kutubna exhibition system: a bilingual title block, one colour field, and dates and opening details in matching English and Arabic.
02The key visual
This time, the artist leads.
With a single artist, we put her in the frame. Cris Martins sits in white against a deep teal wash, with the bilingual title and its line, curves, twists, repetition and rhythm, set beside her. The following slides carry her biography, then the collections, with a column of Tubes work rising along the edge.
03Every format
Three slides, three sizes.
The same three-part sequence was set for square posts, portrait feed posts and stories, each recomposed so the portrait, the title and the work keep their place. Opening night ran on Saturday, 23 August; the show ran to 12 September 2025.
The result
A complete campaign for Textile Choreography, 23 August to 12 September 2025, on the Kutubna exhibition system. For a solo show, the artist became the key visual.
- Key visual
- Bilingual title lockup
- Square carousel
- Portrait feed carousel
- Story sequence
- Artist biography slides
Hosting a solo show or artist residency?
Put the artist at the centre, and keep it calm.
We help galleries and curators introduce one artist clearly, in Arabic and English, across every format.
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